Charlie doesn't use this whistle in conversation yet, but we've heard him use it during his roll, which is typically part of the learning process. Interestingly, he often adds a third sixteenth-note at the beginning, making the call similar to the beginning of Beethoven't famous Fifth Symphony, but inverted. Perhaps more interestingly, he seldom whistles a real major third (D to F-sharp). He's much more likely to whistle a fourth.
Monday, March 13, 2006
Charlie doesn't use this whistle in conversation yet, but we've heard him use it during his roll, which is typically part of the learning process. Interestingly, he often adds a third sixteenth-note at the beginning, making the call similar to the beginning of Beethoven't famous Fifth Symphony, but inverted. Perhaps more interestingly, he seldom whistles a real major third (D to F-sharp). He's much more likely to whistle a fourth.
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